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［VOA Special Englis］08.06.22：PEOPLE IN AMERICA
Special English 又叫“慢速英语”，是VOA 专为全世界非英语国家初学英语的听众安排的一种简易、规范的英语广播节目。该节目创始于50年代末期，是VOA 的专家们研究如何与世界各地的英语学习者进行交际的产物。它正式开播于1959年10月。当时只面向欧洲和中东，但由于这个节目适合许多国家英语学习者的需要，所以它的广播对象不久就扩大到世界其他地区，并很快在全世界范围内产生了广泛的影响。现在这个节目对欧洲、非洲和拉丁美洲每晚广播一次，对加勒比地区每晚广播一次（星期天除外），对东南亚广播次数最多，每天上午两次，晚上三次。
30多年来，VOA 为了办好Special English节目，进行了大量的调查研究工作，对播音速度、内容及用词范围都作了具体规定，基本上达到了既能为英语学习者提供信息，又不损害英语本身风格的目的，使之成为VOA 独具特色，拥有最大量听众的节目。
=============================================================== 2008.06.22 Ray Charles, 1930-2004: Singer, Songwriter and Musician Extraordinaire
By Paul Thompson / Broadcast date: Sunday, June 22, 2008
VOICE ONE:
This is Faith Lapidus.
VOICE TWO:
And this is Doug Johnson with PEOPLE IN AMERICA in VOA Special English. Today we begin a two-part report about singer, songwriter, and musician Ray Charles. His work will continue to have a lasting influence on American music.
（MUSIC）
VOICE ONE:
Ray Charles Ray Charles spent almost sixty years as a professional musician. Millions of people around the world enjoy his recordings. If Ray Charles only played the piano, he would have been considered one of the best. If he had only sung his music, his voice would have made him famous. If he had only played jazz music, the world would have listened. But Ray Charles did all these things and more.
He played and sang rock-and-roll and rhythm-and-blues songs. He sold millions of country and western records, too. His work brought together different kinds of music and different kinds of music fans. His influence on much of America's popular music cannot be truly measured.
（MUSIC: "One Mint Julep"）
That was Ray Charles and "One Mint Julep." He recorded that song in nineteen sixty-one on an album called "Genius Plus Soul Equals Jazz." It is one of the many hundreds of records he recorded.
VOICE TWO:
Ray Charles Robinson was born in nineteen thirty in Albany, Georgia. When he was six years old, he began to suffer from the eye disease glaucoma. The disease made him blind. He left the world of sight forever and turned to the world of sound. He learned to love sounds, especially music of all kinds.
Ray Charles taught himself to play the organ, alto saxophone, clarinet and trumpet. Yet there was a special relationship between him and the piano. Here is part of the song "Worried Mind." The style is country and western, with a heavy influence of blues. Listen to his work on the piano, an instrument he truly loved. You can almost see him smiling.
（MUSIC）
VOICE ONE:
Ray Charles was fifteen years old when his mother died. Within a year, he had left school to work. He began playing piano professionally in African American eating and drinking places in the state of Florida.
A year later, he moved to the opposite corner of America: Seattle, Washington. While in Seattle, he made forty records. But none was a success.
VOICE TWO:
At that time, Ray Charles was trying to play the piano and sing like the famous performer Nat King Cole. But he quickly learned there was only one Nat King Cole. No one wanted to hear a copy, not even a good copy.
So Charles started looking for his own musical sound. He began to experiment. He tried mixing blues and jazz. He used some jazz styles with the music that later was known as rock-and-roll. His experiments soon became popular with many black Americans.
He played at dances around the country. He also sold some records, mostly to black people. Few white Americans had heard of a blind musician named Ray Charles.
VOICE ONE:
By the middle of the nineteen fifties, he had his own band. It was one of the most popular black dance bands in the country. A group of women sang with the band.
Ray Charles' ''What'd I Say'' One night, Charles began playing a simple song. He told the women to sing in a style known as call and response. In this style, the lead singer asks a question or sings some words. The other singers answer. This kind of singing was brought to America by black slaves from Africa. It has remained very popular in black church music.
At the dance that night, Ray Charles put together simple piano music, traditional call and response and rock-and-roll. The result was a revolution in American music. Soon after, Ray recorded that song. It is called "What'd I Say?"
（MUSIC）
VOICE TWO:
"What'd I Say?" sold millions of copies. Ray Charles no longer just played at small dances for black people. He performed in large theaters for big audiences of every color. He had found a sound like no other. His style of music was filled with excitement. And those who listened shared in that excitement.
By the end of the nineteen fifties, Ray Charles had recorded many hit songs. Most of his music was black rhythm-and-blues or soul music. Yet white Americans were listening, too.
Charles did not want to play just one kind of music, even if it was extremely popular. He began experimenting again, this time with jazz. One album, "Black Coffee," is considered by experts to be one of his very best jazz recordings. It shows that his piano work can express many different feelings. Here is the song "Black Coffee" from that album.
（MUSIC）
VOICE ONE:
Ray Charles' country-and-western
record Ray Charles continued to make rhythm-and-blues and jazz records. But that was still not enough for him. He had always loved country-and-western music. So he decided to record a country album.
Music industry experts said he was making a mistake. They told him not to do it. They said he would lose many fans. The fans, they said, would not understand or like this kind of music. Ray Charles did not listen to the experts. He took a chance. And he was right. The public loved his country-and-western songs. You can hear some of these country-and-western songs next week, when we bring you the second part of our report about Ray Charles.
（MUSIC: "Making Whoopee"）
VOICE TWO:
This program was written by Paul Thompson. It was produced by Lawan Davis. I'm Doug Johnson.
VOICE ONE:
And I'm Faith Lapidus. Join us next week for the second part of our program on Ray Charles on People In America, in VOA Special English.
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